There’s a certain honest appeal, I reckon, in the sight of a newborn thing, all fuzzy and uncertain, trying to find its place in the world. And if you’ve ever laid eyes on a drawing of a chick, a proper one, you’ll know what I mean. It ain’t just the yellow down, though that’s enough to catch the eye, bright as a dandelion in spring.
No, it’s more than just a splash of color. It’s the very posture of the creature, a small, tentative lump of life. The way its tiny legs, no thicker than matchsticks, seem to hold up the whole world, or at least the whole world as far as its little pecker can see. There’s a tilt to the head, a curious, innocent wonder in its button-bright eye, that speaks of discovery. It’s learning the taste of grit, the warmth of its mama’s wing, the vast, bewildering expanse of the barnyard.
A good drawing of a chick ain’t merely cute, though it surely is that. It’s a small sermon on fragility, on hope, on the relentless push of life itself. It reminds you of every beginning, every chance taken, every tender thing that fights to survive and thrive. It’s the promise of an egg, hatched and squawking its arrival, a tiny, vibrant testament to the enduring cycle of existence. And sometimes, looking at such a simple image, you feel a deep, comforting sense of rightness in the world, even with all its troubles.
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